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Women Talking by Miriam Toews - The character August Epp is the narrator of this unique story. He is one of the few men at home in an isolated Mennonite colony at the time, as the others have all gone into town to post bail for the group of eight men that have been accused of raping and molesting women and girls in the colony. August has returned to the colony recently, and is the schoolteacher. The other men treat him with disdain, but he is recruited by one of the women, Ona, to keep minutes of the women's meetings, as none of the women can read or write. August keeps meticulous notes about what the women discuss and do during these meetings, and adds his own interpretations and thoughts from time to time.
Eight women from two of the families have decided to hold meetings while the men are out of town to decide what they will do. They have all been violated repeatedly, but only recently has it been acknowledged in any way that it was men from their own colony that had abused them in this way. The women know that they will be expected to say they forgive the men when they return from the city, and if they do not, they forfeit their place in heaven. This does not sit well with the women, who understand that it's more than likely they will be abused again without recourse, and that their children will be victims as well. So over the course of two days, they meet in a hayloft, with August writing notes, to discuss what options they have and the pros and cons of each.
Should the women stay and fight? Or should they leave the colony? Both options are full of uncertainty and danger. They know nothing of the world outside their little community, and they cannot read or write. They cannot even speak the language of the country.
As the discussions continue, the women comfort and confront each other by turns, and their personalities both clash and harmonize. They decide on what is most important to them - they want their children to be safe; they want to be steadfast in their faith; and they want to think. How will they do this?
August's pensive and gentle document outlining the discussions and some details of what happens in between meeting times is sympathetic. The story winds up being as much about August's journey as the women's journey towards self-determination.
It was surprising to find the story was tempered with gentle humor and lightheartedness, and that it never seemed out of place with the darkness of the reason the women are meeting. To be sure, there are a few places that are harder to read because of the horrible indignities the women and girls have suffered, and the knowledge that this novel is based in part on a real and very similar situation is sobering indeed. But as much as I felt angry and indignant that women should be treated so horribly, overall I felt more admiration for the courage and strength of the women to face such an uncertain future with resolve and unity and purpose.
The basis of the Oscar-winning film from writer/director Sarah Polley, starring Rooney Mara, Claire Foy, Jessie Buckley, with Ben Whishaw and Frances McDormand.
One evening, eight Mennonite women climb into a hay loft to conduct a secret meeting. For the past two years, each of these women, and more than a hundred other girls in their colony, has been repeatedly violated in the night by demons coming to punish them for their sins. Now that the women have learned they were in fact drugged and attacked by a group of men from their own community, they are determined to protect themselves and their daughters from future harm.
While the men of the colony are off in the city, attempting to raise enough money to bail out the rapists and bring them home, these women―all illiterate, without any knowledge of the world outside their community and unable even to speak the language of the country they live in―have very little time to make a choice: Should they stay in the only world they've ever known or should they dare to escape?
Based on real events and told through the "minutes" of the women's all-female symposium, Toews's masterful novel uses wry, politically engaged humor to relate this tale of women claiming their own power to decide.
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